Captivating Tatiana Maslanythe original and most comprehensive fansite for tatiana maslany

Captivating Tatiana Maslany

the original and most comprehensive fansite for tatiana maslany

In “Mary Page Marlowe,” a play by Tracy Letts that tracks seven decades in an Ohio woman’s life, the title character is many things: a baby, a girl, a wife, a lover, a mother, a divorcée, a retiree.

She’s also many people. In the Second Stage Theater production, which is now in previews and opens July 12, Mary Page is played by six actresses. Well, six actresses and one creepily lifelike baby doll.

On a recent weekday evening, rehearsal wrapped and the cast rushed into the green room to celebrate a couple of birthdays. Then the various Mary Pages shuffled back into the upstairs rehearsal space, balancing plates of cake, glasses of water and, in the case of Tatiana Maslany, who plays Mary Page at 27 and 36, half an avocado. “I missed lunch,” she said.

Ms. Maslany, who played at least 11 roles on the TV clone drama “Orphan Black,” and is finding it a pleasant change to share just one, was joined by Mia Sinclair Jenness, who plays Mary Page at 12; Emma Geer, who plays her at 19; Susan Pourfar, who plays her at 40 and 44; Kellie Overbey, the sole blond Mary, who plays her at 50; Blair Brown, who plays her at 59, 63 and 69; and the director, Lila Neugebauer. The creepy baby stayed in its crib. (There are other actors, too. And other characters. But these are the only Mary Pages.)

Barring occasional interruptions — Ms. Overbey briefly slipped out to manage a migraine, Ms. Pourfar excused herself to collect her actual baby, “not a doll,” she clarified — the women spoke about identity, change and the challenge of convincing an audience that women with different faces and voices and ways of moving through the world are really all the same. Wigs help. These are edited excerpts from the conversation.
Who Is Mary Page Marlowe?

MIA SINCLAIR JENNESS I think she’s resilient. Even as a 12-year-old, she goes through her fair share of heartbreaks and bad times, but that doesn’t necessarily make her a sad person.

EMMA GEER I’m playing her at 19. She’s strong, she’s powerful. She’s a dreamer and she has a very big heart.

TATIANA MASLANY: The big question of identity is a massive part of Mary Page in the two scenes in which we see me. It’s what happens at 30, what I certainly experienced — a question of who am I and what is my life?

SUSAN POURFAR In her 40s, she’s in this middle section of her life. She’s doing everything she has to do to survive, to put food on the table and to take care of her family. Kellie?

KELLIE OVERBEY I’m sorry, I’m having a bit of an episode right now. [Ms. Overbey, who was getting a migraine, excused herself to take a pain reliever.]

BLAIR BROWN Mine is the kindest period of Mary’s life. Kindest to herself, forgiving of all the mistakes. She’s been pretty hard on herself; the years have been hard. But she’s come through to a place — similar to when she was younger — of being open to experience and less judgmental.
Weaving Evolution Into Continuity

MASLANY: She has this real survival instinct and a real ——

BROWN Resilience.

GEER She doesn’t give up, ever.

BROWN She’s always trying. There’s a wit and humor that’s in her. We don’t think of women necessarily being that way. Which we are, of course, dazzlingly so. But not so much in plays.

LILA NEUGEBAUER I also feel in Mary Page a self-reliance. It’s in relationship to many of her strengths and also to some of her fault lines.

BROWN She’s constantly trying to look at the truth of situations when many people around her are not. She doesn’t get rewarded for that always.

[Ms. Overbey returned to the room, wearing an afghan as a cape.]

MASLANY: You look like a queen.

OVERBEY I feel like a queen. Mary Page makes me think about my own life. I’ll see people who knew me once upon a time and I’ll say, “Have I changed that much?” And they’ll always say, “No.” And I think, “But surely I have!”

POURFAR Kellie, do you remember Tracy saying, “A small change is still a change.” That really struck me. So I think you’ve changed. Since I’ve known you.

OVERBEY Yes. I would hope so.

GEER You have to choose to let yourself shift. Some things might happen naturally as you age and you learn, but I think to change is really brave.

OVERBEY Tracy has allowed for molting. We molt and we shift, but there’s something innate that remains. She’s deep and strong and courageous and lost.
Is She a Mystery to Others? To Herself?

GEER We talk about it all the time. I mean, my mom’s 57. She just told me last week, “The older I get, the less I know.” So I’m sort of expecting to not ever really know.

BROWN You know some more bits, I would say.

NEUGEBAUER The sets of questions that drew me into this play had to do with to what extent do we remain mysterious to the people who presume to love and know us best, and to what extent do we remain mysterious to ourselves?

BROWN How many times does Mary Page say, “I don’t know.”

JENNESS No one knows. You make these unconscious decisions and you don’t even know why.

BROWN But she keeps asking, that’s the thing, she asks her whole life. She asks all the time. She’s an ordinary woman, too. Tracy said she’s like the person standing behind you at the dry cleaners.

NEUGEBAUER It’s not a play about a queen.

GEER But she’s extraordinary in her own right. Because everyone is, right? When you gaze inside.

OVERBEY Tatiana has a line. What is it?

NEUGEBAUER “I am unexceptional.”

OVERBEY “I am unexceptional.” All I could think was how exceptional she seems in that moment.
Speaking With a Single Voice

NEUGEBAUER We’re collaborating with an incredible voice and dialect person, Gigi Buffington. In addition to conversations about Dayton, Ohio, and about where each of these excellent women live vocally, she has also led them through some incredible exercises. She invited them each to pick a scene that is not their Mary Page scene, and read it with each other.

BROWN For us, it’s about finding a space, like a plum in the back of your throat. And the sounds just kind of land in the front of your mouth.
Image

GEER It’s not nasal.

BROWN It’s not that snarky New York kind of thing.

POURFAR It’s not that tight jaw. It’s much more open.

BROWN And not having a lot of consonants.

JENNESS You don’t pronounce your T’s.

BROWN You wouldn’t say “forgotten.” You’d say, “forgodden.”
Costumes and Wigs and More

POURFAR We’re all going to be wigged so the hair color will match. But the style will evolve.

JENNESS I’m either going to be wigged or I’m cutting my hair up to here. I don’t know!

POURFAR It’s going to look awesome!

JENNESS I don’t know!

BROWN Hair grows. Remember, it grows!

JENNESS That’s true. But I’m nervous. I mean, I really want to, but I also don’t know.

BROWN For women, it’s also when do you color your hair? Does she do some little highlights at some point? Is it for men? Is it for others? For work? Or for your own self.

POURFAR Hair and clothing conversations are not just about what’s happening in the time period, but what’s happening in Mary Page Marlowe’s internal life that might be reflected in how much effort she puts into the way she looks. It’s very exciting.

GEER I know I’m getting eyeliner. I’m in 1965 so I’m getting liner and we’re maybe going to do a bright red lip.

JENNESS That’s fun!

POURFAR Blair, I think you should go back to the liner.

BROWN Mary Page, with her last husband, they go to yard sales. So my clothes are really going to be fun.
Melding Six Actors Into One Character

NEUGEBAUER I don’t think a production of this play lives or dies based on verisimilitude. The whole theatrical premise of inviting six women to portray a character, we’re living in the complexity of that. There are some physical similarities between the women that have been cast. They are actually not of radically different heights or builds. At the same time, I will confess that what was most important to me were aspects of their internal life that I felt united them.

OVERBEY We’re still absorbing each other, I think.

BROWN We watch each other like hawks. I was looking today at the beauty of smiling and laughing.

MASLANY: That’s so funny, I was watching you smile today.

BROWN I was watching you!

MASLANY: It’s about watching and echoing.

OVERBEY And listening.

BROWN And getting to know.

JENNESS And learning.

NEUGEBAUER All of these women have graciously attended each other’s rehearsal. It’s a remarkable gift to benefit from the wisdom, life experience, point of view and intellect of six different women. And a doll. We’ve had to think about so many aspects of her life: Her mind, her soul, her body, her sexuality, her work ethic.

BROWN Her taste in clothes. The superficial to the profound.

OVERBEY The room feels safe because there are five more of me.

GEER Yeah, it’s like we’re all in it together.

BROWN We’re, like, breathing together.

MASLANY: There’s no competition. It has to be shared. It’s really unusual for women working together to have this. Usually you’re the only woman on the set or you’re the only woman in this slew of men. It’s amazing.
Source

The cast opens up about the play and sharing a character with five other actors.

Tracy Letts’ Mary Page Marlowe pieces together a portrait of Mary Page from 11 key moments in her life, told out of chronological order, and portrayed by six different actors. The title role in the upcoming New York premiere is shared by Blair Brown, Emma Geer, Tatiana Maslany, Susan Pourfar, Mia Sinclair Jenness, and Kellie Overbey.

Watch the video above to see what they, and other cast members, had to say about working in an ensemble piece such as this, and what it was like to draw inspiration from a number of different actors for the one character.

Playbill caught up with the cast and Drama Desk Award-winning director Lila Neugebauer ahead of the play’s Off-Broadway premiere, set to begin June 19 at Second Stage’s Tony Kiser Theater.
Source

Video Clips:
Video Clip #1

Second Stage Theater (Carole Rothman, Artistic Director; Casey Reitz, Executive Director) has announced complete casting for the New York Premiere of Tracy Letts’ acclaimed play, Mary Page Marlowe, directed by Lila Neugebauer. David Aaron Baker and Nick Dillenburg will complete the cast featuring Blair Brown, Kayli Carter, Audrey Corsa, Marcia DeBonis, Ryan Foust, Tess Frazer, Emma Geer, Grace Gummer, Mia Sinclair Jenness, Brian Kerwin, Tatiana Maslany, Kellie Overbey, Susan Pourfar, Maria Elena Ramirez, Elliot Villar, and Gary Wilmes.

Tickets are now on sale to the general public at http://2ST.com or by calling the Second Stage Box Office at 212-246-4422, open Sunday-Friday 12pm-6pm and Saturday 12pm-7pm. Mary Page Marlowe will begin previews on June 19, 2018 at the Tony Kiser Theater (305 West 43rd street) and will officially open on July 12.

If you looked back on eleven moments from your life, would you recognize yourself, or would you see a stranger? Mary Page Marlowe is a seemingly ordinary accountant from Ohio who has experienced pain and joy, success and failure. In this sweeping but intimate play, Tracy Letts gives us a haunting portrait of a complex woman, demonstrating how a series of forgotten moments can add up to one memorable life.

Ms. Brown, Ms. Geer, Ms. Jenness, Ms. Maslany, Ms. Overbey and Ms. Pourfar will portray the title character at different points in her life. Ms. Brown originated her role in the world premiere Steppenwolf production in 2016.

MARY PAGE MARLOWE will feature scenic design by Laura Jellinek, costume design by Kaye Voyce, lighting design by Tyler Micoleau, sound design by Brandon Wolcottand casting by Telsey + Company. Lead production support is provided by Gina Maria Leonetti.

This production marks Mr. Letts’ return to Second Stage Theater, which produced the New York premiere of his play, Man from Nebraska, directed by David Cromer, last winter.

Subscriptions with Mary Page Marlowe are currently available beginning at $395, including Straight White Men and 4 soon-to-be-announced productions in the 18-19 Season. For subscription and ticket information, please visit 2ST.com or call the Second Stage Subscriber Services at 212-246-4422.

David Aaron Baker (Ray) previously appeared at Second Stage in Oblivion Postponed (1995). Broadway: The Merchant of Venice, A Raisin In The Sun, The Rainmaker,Once Upon A Mattress, Abe Lincoln in Illinois, Moliere Comedies, White Liars/Black Comedy, The Flowering Peach. Off-Broadway: Christopher Durang’s Why Torture is Wrong…(Public), Sarah Ruhl’s Dead Man’s Cell Phone (Playwrights Horizons), Neil Simon’s Rose’s Dilemma, Craig Lucas’ Blue Window, Christopher Durang’s Durang Durang (MTC), Rebecca Gilman’s The Glory of Living (MCC), A.R. Gurney’s Ancestral Voices (Lincoln Center), John Guare’s Bosoms and Neglect (Signature), Sarah Ruhl’s Dear Elizabeth (Women’s Project). In addition to stage work, Baker has appeared in numerous films, under the direction of eminent filmmakers including Steven Spielberg, Martin Scorsese, Rob Reiner, Lasse Hallström, David Mamet, Martin Campbell, James Mangold, and twice with Woody Allen. He has appeared on dozens of television shows including “Marvelous Mrs. Maisel,” “The Deuce,” “Boardwalk Empire,” “Homeland,” “Orange Is the New Black,” “The Leftovers,” several episodes of “Law & Order,” and the television film of “The Music Man.” David is also an award-winning narrator of more than 50 audiobooks. Education: The Juilliard School, University of Texas-Austin, Illinois State University.

Nick Dillenburg (Ed Marlowe) is making his Second Stage debut. Broadway: The Real Thing with Ewan McGregor (u/s Billy/Brodie). Off-Broadway: Teenage Dick (The Public Theater), Henry V in Into the Hazard: Henry 5 (Walkerspace), Hater with Merritt Wever (Ohio Theatre). On TV, Nick can be seen as CO Blake in seasons 4-6 of “Orange Is the New Black.” Other TV: “Blue Bloods,” “Person of Interest,” “Elementary,” and “Law and Order.”
Source

Former Orphan Black star Tatiana Maslany, Diego Luna (Narcos) and Emile Hirsch (The Chinese Widow) have joined the third and final season of Netflix’s Emmy-winning original series DreamWorks Trollhunters, from Oscar-winner Guillermo del Toro.

The join the returning cast from seasons one and two that includes Kelsey Grammer as Blinky, Mark Hamill (Dictatious), Lena Headey (Morgana), David Bradley (Merlin), Ron Perlman (Bular), Steven Yeun (Steve), Anjelica Huston (Queen Ursurna), Jonathan Hyde (Strickler), Amy Landecker (Barbara), Charlie Saxton (Toby), Lexi Medrano (Claire) and Fred Tatasciore (AAARRRGGHH!!!).

Maslany and Luna will voice Aja and Krel, two mysterious new students who unknowingly come to the aid of the Trollhunters team in the fight against Morgana. The duo will also reprise their roles and serve as the leads of the next installment in the Tales of Arcadia trilogy, DreamWorks 3 Below, set to debut on Netflix later this year.

Hirsch takes on the role of Jim Lake, Jr., originally voiced by the late Anton Yelchin. Yelchin completed his work on the first two seasons and a considerable portion of season three before his unexpected passing in 2016. Del Toro and his creative team found a unique way to incorporate a voice transition organic to the story and create a path for Hirsch, a dear friend of Yelchin’s ,to carry on his legacy and role. Yelchin’s performance has been left intact where possible and some portions have been merged with Hirsch’s performance to complete season three, according to Netflix and DreamWorks.

DreamWorks Trollhunters is created and executive produced by del Toro with Marc Guggenheim (Arrow, Legends of Tomorrow), Rodrigo Blaas (Alma), Chad Hammes (Dragons: Race to the Edge) and Christina Steinberg (Rise of the Guardians) serving as executive producers. Dan Hageman (The Lego Movie, Ninjago) and Kevin Hageman (The Lego Movie, Ninjago) serveas co-executive producers.

The series features a tale of two fantastical worlds that collide in an epic saga. Set in the fictional suburb of Arcadia, our unlikely hero, Jim, and his two best friends make a startling discovery that beneath their hometown lies a hidden battle between good trolls and bad, the outcome of which impacts their lives forever.

In DreamWorks Trollhunters Part 3 the fate of troll and human civilizations hang in the balance. The Trollhunters are racing to stop Gunmar and the now resurrected Morgana from bringing about the Eternal Night and shrouding the world in darkness forever. To defeat them, the team must seek the help of the legendary wizard Merlin to unlock his ancient magic and unleash a powerful weapon that will alter the course of their lives forever.

Premiering in 2016 to critical acclaim, Trollhunters introduced audiences to the seemingly quiet town of Arcadia and an ordinary kid who embarks on an extraordinary adventure in a hidden world right beneath his feet. The first season lead the 2017 Creative Arts Daytime Emmys with six wins, including writing for an animated program (Marc Guggenheim), directing (Rodrigo Blaas, del Toro), casting (Ania O’Hare, Mary Hildalgo) and a voice acting win for Grammer. The second season received four nominations for the 2018 Creative Arts Daytime Emmy Awards, including Outstanding Children’s Animated Series.
Source

I’ve added over 600 HD screencaps of Tatiana from her appearance in the short film Apart From Everything to the gallery. It was a great film. Check out the photos in the gallery.

The Emmy-winning ‘Orphan Black’ lead will make her New York stage debut in the off-Broadway production this summer.
Tatiana Maslany has been cast in the off-Broadway premiere of Tracy Letts’ Mary Page Marlowe, marking the Emmy-winning Orphan Black star’s New York theatrical debut.

The expansive but intimate new play by Letts, a Pulitzer and Tony winner for August: Osage County, examines the life of the title character, a seemingly ordinary Ohio accountant, through forgotten moments of pain and joy, success and failure. Maslany will be one of five actresses playing the protagonist at different points in her life, with the remaining cast to be announced.

Reviewing the play for The New York Times in its 2016 premiere at Chicago’s Steppenwolf Theatre Company, Charles Isherwood called it “exquisite,” describing the work as a “haunting, elliptical drama about the evolutions, reversals and resurrections in a woman’s life.”

Directed by Lila Neugebauer, who drew unanimous praise last season for her staging of Sarah DeLappe’s The Wolves, the Second Stage Theater production will begin previews June 19 at the company’s Tony Kiser Theater, with opening night set for July 12. Neugebauer currently is represented off-Broadway with her production of Edward Albee’s At Home at the Zoo for Signature Theatre.

Maslany had previously planned to make her New York stage debut starring opposite Thomas Sadoski in the 2015 off-Broadway premiere of Neil LaBute’s The Way We Get By, which also was produced by Second Stage. But scheduling conflicts forced her to withdraw from that production, with Amanda Seyfried stepping into the role.

An experienced stage performer in her native Canada, Maslany recently was seen onscreen opposite Jake Gyllenhaal in Stronger; her upcoming film projects include Pink Wall with Jay Duplass, and Destroyer, in which she appears alongside Nicole Kidman.
Source

Tatiana and Tom are featured in the new music video by Son Lux called All Directions. Check out the video below and screencaps in our gallery. This video was twisted and yet beautiful. There is no denying the chemistry between Tatiana and Tom.

Tatiana was on the most recent episode of Drunk History. So funny! Check out screencaps in the gallery. Enjoy.

Maverick Spirit Award Event: Tatiana Maslany and Tom Cullen with Souls of Totality

Event includes a moderated conversation with Tatiana Maslany and Tom Cullen, award presentation, and expanded conversation on their new film Souls of Totality.

This World Premiere is part of the Maverick Spirit Awards Event with Tatiana Maslany and Tom Cullen

Starring Tatiana Maslany and Tom Cullen, Souls of Totality is about the sacrifices we make, the things we don’t say, and love’s supernatural ability to conquer all. Guy 3 and Lady 18 have a secret. They are members of a cult which believes that during the Great American Eclipse their recently deceased souls will be taken to paradise via an astral gate only open during a total eclipse. But that’s not the secret… They are also profoundly in love. But on the morning of the eclipse, Lady 18 is chosen to stay behind and gather a new family of souls before the next eclipse. As the seconds tick down to totality, she is faced with an impossible decision; fulfill her sworn duty or fight to stay with the man she loves.

Event Information:
Date: Thu, Mar 8 7:30 PM
Place: California Theatre, San Jose
Tickets: Buy Tickets Here