Captivating Tatiana Maslanythe original and most comprehensive fansite for tatiana maslany

Captivating Tatiana Maslany

the original and most comprehensive fansite for tatiana maslany

In “Mary Page Marlowe,” a play by Tracy Letts that tracks seven decades in an Ohio woman’s life, the title character is many things: a baby, a girl, a wife, a lover, a mother, a divorcée, a retiree.

She’s also many people. In the Second Stage Theater production, which is now in previews and opens July 12, Mary Page is played by six actresses. Well, six actresses and one creepily lifelike baby doll.

On a recent weekday evening, rehearsal wrapped and the cast rushed into the green room to celebrate a couple of birthdays. Then the various Mary Pages shuffled back into the upstairs rehearsal space, balancing plates of cake, glasses of water and, in the case of Tatiana Maslany, who plays Mary Page at 27 and 36, half an avocado. “I missed lunch,” she said.

Ms. Maslany, who played at least 11 roles on the TV clone drama “Orphan Black,” and is finding it a pleasant change to share just one, was joined by Mia Sinclair Jenness, who plays Mary Page at 12; Emma Geer, who plays her at 19; Susan Pourfar, who plays her at 40 and 44; Kellie Overbey, the sole blond Mary, who plays her at 50; Blair Brown, who plays her at 59, 63 and 69; and the director, Lila Neugebauer. The creepy baby stayed in its crib. (There are other actors, too. And other characters. But these are the only Mary Pages.)

Barring occasional interruptions — Ms. Overbey briefly slipped out to manage a migraine, Ms. Pourfar excused herself to collect her actual baby, “not a doll,” she clarified — the women spoke about identity, change and the challenge of convincing an audience that women with different faces and voices and ways of moving through the world are really all the same. Wigs help. These are edited excerpts from the conversation.
Who Is Mary Page Marlowe?

MIA SINCLAIR JENNESS I think she’s resilient. Even as a 12-year-old, she goes through her fair share of heartbreaks and bad times, but that doesn’t necessarily make her a sad person.

EMMA GEER I’m playing her at 19. She’s strong, she’s powerful. She’s a dreamer and she has a very big heart.

TATIANA MASLANY: The big question of identity is a massive part of Mary Page in the two scenes in which we see me. It’s what happens at 30, what I certainly experienced — a question of who am I and what is my life?

SUSAN POURFAR In her 40s, she’s in this middle section of her life. She’s doing everything she has to do to survive, to put food on the table and to take care of her family. Kellie?

KELLIE OVERBEY I’m sorry, I’m having a bit of an episode right now. [Ms. Overbey, who was getting a migraine, excused herself to take a pain reliever.]

BLAIR BROWN Mine is the kindest period of Mary’s life. Kindest to herself, forgiving of all the mistakes. She’s been pretty hard on herself; the years have been hard. But she’s come through to a place — similar to when she was younger — of being open to experience and less judgmental.
Weaving Evolution Into Continuity

MASLANY: She has this real survival instinct and a real ——

BROWN Resilience.

GEER She doesn’t give up, ever.

BROWN She’s always trying. There’s a wit and humor that’s in her. We don’t think of women necessarily being that way. Which we are, of course, dazzlingly so. But not so much in plays.

LILA NEUGEBAUER I also feel in Mary Page a self-reliance. It’s in relationship to many of her strengths and also to some of her fault lines.

BROWN She’s constantly trying to look at the truth of situations when many people around her are not. She doesn’t get rewarded for that always.

[Ms. Overbey returned to the room, wearing an afghan as a cape.]

MASLANY: You look like a queen.

OVERBEY I feel like a queen. Mary Page makes me think about my own life. I’ll see people who knew me once upon a time and I’ll say, “Have I changed that much?” And they’ll always say, “No.” And I think, “But surely I have!”

POURFAR Kellie, do you remember Tracy saying, “A small change is still a change.” That really struck me. So I think you’ve changed. Since I’ve known you.

OVERBEY Yes. I would hope so.

GEER You have to choose to let yourself shift. Some things might happen naturally as you age and you learn, but I think to change is really brave.

OVERBEY Tracy has allowed for molting. We molt and we shift, but there’s something innate that remains. She’s deep and strong and courageous and lost.
Is She a Mystery to Others? To Herself?

GEER We talk about it all the time. I mean, my mom’s 57. She just told me last week, “The older I get, the less I know.” So I’m sort of expecting to not ever really know.

BROWN You know some more bits, I would say.

NEUGEBAUER The sets of questions that drew me into this play had to do with to what extent do we remain mysterious to the people who presume to love and know us best, and to what extent do we remain mysterious to ourselves?

BROWN How many times does Mary Page say, “I don’t know.”

JENNESS No one knows. You make these unconscious decisions and you don’t even know why.

BROWN But she keeps asking, that’s the thing, she asks her whole life. She asks all the time. She’s an ordinary woman, too. Tracy said she’s like the person standing behind you at the dry cleaners.

NEUGEBAUER It’s not a play about a queen.

GEER But she’s extraordinary in her own right. Because everyone is, right? When you gaze inside.

OVERBEY Tatiana has a line. What is it?

NEUGEBAUER “I am unexceptional.”

OVERBEY “I am unexceptional.” All I could think was how exceptional she seems in that moment.
Speaking With a Single Voice

NEUGEBAUER We’re collaborating with an incredible voice and dialect person, Gigi Buffington. In addition to conversations about Dayton, Ohio, and about where each of these excellent women live vocally, she has also led them through some incredible exercises. She invited them each to pick a scene that is not their Mary Page scene, and read it with each other.

BROWN For us, it’s about finding a space, like a plum in the back of your throat. And the sounds just kind of land in the front of your mouth.
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GEER It’s not nasal.

BROWN It’s not that snarky New York kind of thing.

POURFAR It’s not that tight jaw. It’s much more open.

BROWN And not having a lot of consonants.

JENNESS You don’t pronounce your T’s.

BROWN You wouldn’t say “forgotten.” You’d say, “forgodden.”
Costumes and Wigs and More

POURFAR We’re all going to be wigged so the hair color will match. But the style will evolve.

JENNESS I’m either going to be wigged or I’m cutting my hair up to here. I don’t know!

POURFAR It’s going to look awesome!

JENNESS I don’t know!

BROWN Hair grows. Remember, it grows!

JENNESS That’s true. But I’m nervous. I mean, I really want to, but I also don’t know.

BROWN For women, it’s also when do you color your hair? Does she do some little highlights at some point? Is it for men? Is it for others? For work? Or for your own self.

POURFAR Hair and clothing conversations are not just about what’s happening in the time period, but what’s happening in Mary Page Marlowe’s internal life that might be reflected in how much effort she puts into the way she looks. It’s very exciting.

GEER I know I’m getting eyeliner. I’m in 1965 so I’m getting liner and we’re maybe going to do a bright red lip.

JENNESS That’s fun!

POURFAR Blair, I think you should go back to the liner.

BROWN Mary Page, with her last husband, they go to yard sales. So my clothes are really going to be fun.
Melding Six Actors Into One Character

NEUGEBAUER I don’t think a production of this play lives or dies based on verisimilitude. The whole theatrical premise of inviting six women to portray a character, we’re living in the complexity of that. There are some physical similarities between the women that have been cast. They are actually not of radically different heights or builds. At the same time, I will confess that what was most important to me were aspects of their internal life that I felt united them.

OVERBEY We’re still absorbing each other, I think.

BROWN We watch each other like hawks. I was looking today at the beauty of smiling and laughing.

MASLANY: That’s so funny, I was watching you smile today.

BROWN I was watching you!

MASLANY: It’s about watching and echoing.

OVERBEY And listening.

BROWN And getting to know.

JENNESS And learning.

NEUGEBAUER All of these women have graciously attended each other’s rehearsal. It’s a remarkable gift to benefit from the wisdom, life experience, point of view and intellect of six different women. And a doll. We’ve had to think about so many aspects of her life: Her mind, her soul, her body, her sexuality, her work ethic.

BROWN Her taste in clothes. The superficial to the profound.

OVERBEY The room feels safe because there are five more of me.

GEER Yeah, it’s like we’re all in it together.

BROWN We’re, like, breathing together.

MASLANY: There’s no competition. It has to be shared. It’s really unusual for women working together to have this. Usually you’re the only woman on the set or you’re the only woman in this slew of men. It’s amazing.
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I’ve taken some time and added a bunch of missing photos to the gallery of Tatiana from various films in her career, many of which I had never seen before. I have also replaced many small photos with larger and better quality versions. Enjoy!

I’ve added screencaps to last night’s amazing Orphan Black series finale to the gallery as well as on the set images from this season and a new promotional image for Stronger. What did you think of the finale last night?! There’s talks already about an Orphan Black movie, is that something you would go see in the cinemas?

One of Mexican artist Frida Kahlo’s best-known works is her 1939 double self-portrait ‘Las Dos Fridas’ (‘The Two Fridas’), which currently hangs in Mexico City’s Museo de Arte Moderno. According to Kahlo, the large-scale oil painting represents the imaginary friend she had as a child, but it’s also been suggested that it invokes her dual cultural heritage—European and Central American. The surgical instruments, veins, and blood allude to the many surgeries Kahlo had to undergo, tracing back to a painful bus accident she was involved in as a teenager.

‘The Two Fridas’ was inspired by a 19th century French work called ‘The Two Sisters’. Now, Kahlo’s work has provided fitting inspiration for a new piece, ‘The Two Ledas’, featuring sestras Sarah Manning and her unhinged blonde doppelganger, Helena.

Kahlo’s painting features her holding a portrait of her husband while the OB version sees Sarah holding her daughter’s stuffed toy. When Kahlo embarked on ‘The Two Fridas,’ she’d just divorced fellow artist Diego Rivera—does the item in Sarah’s hand mean she’s at risk of losing Kira, too?

The new image, says the team behind it, is designed to mark the fifth and final season of Orphan Black, celebrating “the central theme of sisterhood, and the intense bond between twin sisters.” But it’s not just genetics that ties Sarah to her sisters, there’s also the dark scientific secrets of a shadowy corporate entity that unite them—secrets that Clone Clubbers are waiting anxiously to see revealed as the series wraps up. And they will, when Season 5 premieres in less than a month.

Orphan Black returns to Space Saturday, June 10 at 10pm ET. Until then, you can chart the clone conspiracy by re-watching past episodes on CraveTV. Check out the iconic new image below, and to find out more about how it was created, tune into InnerSpace tonight at 6e 3p for the inside story.
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A new trailer has finally surfaced for Tatiana’s newest short film Apart From Everything. Check it out below along with screencaps and the poster for the film. Enjoy.

Apart From Everything – Poster
Apart From Everything – Trailer

I’ve been working on the gallery getting it as complete as I can get it. Today I’ve added missing magazine scans, photos of Tatiana’s theater work, and added and replaced photo sessions. I’ll be adding more photos throughout the week so keep checking out Last Updated Albums. Thanks to Alikat for some of these photos. Keep checking back!

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Magazine Scan: Entertainment Weekly
Magazine Scan: Flare
Magazine Scan: SFX
Magazine Scan: World Screen
Magazine Scan: Beach Basic TV
Magazine Scan: Best Movie
Magazine Scan: World Screen
Magazine Scan: Sci Fi Now
Magazine Scan: TV Guide
Magazine Scan: Winnipeg Metro
Tank House Theatre: 1000 People – Promotional Art (2012)
Tank House Theatre: 1000 People – Promotional Photos (2012)
Teen / Young Adult Tatiana

I’ve added the first photos surfaced online from Tatiana’s two newest films ‘Two Lovers and a Bear’ and ‘The Other Half’ which are set to be released next year. I will be updating them with higher quality ones as I come across them. Which one are you most looking forward to? I’m most interested to see ‘The Other Half’ in which she stars with her real life boyfriend, Tom Cullen. Check out the photos below.

I’ve updated Tatiana’s Career page.

The Other Half: Behind the Scenes / On the Set
Two Lovers and a Bear: Posters
Two Lovers and a Bear: Stills
Two Lovers and a Bear: Behind the Scenes / On the Set