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Tatiana has been out this weekend attending pre-Emmy events in honor of her Emmy nomination for Orphan Black. We’re so excited for her! The Emmy awards are tomorrow night so be sure to tune in. Check out photos from her attendance at pre-Emmy events. I’ll update this post with new photos as they surface. Enjoy!

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The ‘Orphan Black’ actress, making her New York stage debut in ‘Mary Page Marlowe,’ on multiple roles, navigating career and the scary question she gets asked during every performance of the play

On the BBC America television series “Orphan Black,” Tatiana Maslany embodied nearly a dozen roles, winning an Emmy in the process. In the play “ Mary Page Marlowe, ” she plays just one: a woman exasperated with the expectations of domestic life.

“I’m just acting like a person who is a wife and a mother,” she tells her therapist in one scene. “I know what that means, I know the levers to pull to be that person. I’m a great actress.”

It is a moment that hits close to home for the 32-year-old Ms. Maslany, who can be seen in the off-Broadway production at Second Stage Theater through Aug. 12.

“The whole scene that I have in therapy is just like, who transcribed my thoughts?” she says with a laugh.

“Mary Page Marlowe,” written by Tracy Letts, uses six actresses, including Ms. Maslany, to tell the title character’s story at different milestones. Ms. Maslany plays Mary Page at 27, when she is
having an affair in a motel room, and 36, when she is trying to make sense of her life.

“There’s something about getting to show the life of one woman with a group of women, at this time when we’re forging a community of women who are fighting for all of us,” Ms. Maslany says, a nod to the #MeToo movement. “It just feels really important to get to tell this story as a group, as opposed to the individualistic nature sometimes of performing.”

She spoke with the Journal about “Mary Page Marlowe” and navigating her career and private life post-“Orphan Black.” Edited excerpts follow.

This is your New York stage debut. Why did you choose this play?
I’ve been a fan of Tracy’s writing for years, and actually, “August: Osage County” was the first play I ever saw on Broadway. It kind of blew my mind. His writing in “Mary Page Marlowe” just felt so revealing. Somehow he gets inside the mind of a woman in a way that felt very personal and private.

Is there a specific moment that really resonates with you?
In my scene, I say a lot of things about the roles that we play, women in our own lives, and how we can be strangers to ourselves. How the expectation of how we present in the world can actually alter our own internal understanding of ourselves, and that disconnect. I think it’s something we can all actually really understand and feel.

Does the idea of playing multiple roles speak to who you are?
From 9 years old, I was acting and performing on stage or in front of the camera, and I was being directed by adults—men, mostly. I think a lot of my understanding of myself came through that collaboration. So, it does create a bit of a fractured sense of who I actually am. I think that’s why the child actor to adult actor transition can be daunting and difficult for people, because you spent your whole life being told who you are, and now suddenly you have to own that.

With five other actresses playing Mary Page Marlowe, do you consider your role as separate, or of a piece with their roles?
I definitely feel like we’ve been working toward the sense of us all being a piece of each other. We’ve been doing a lot of vocal warm-ups together and breath work and physical work.

But also, what Tracy was seeking to explore most is how we can be different people at different points in our lives—how sometimes we don’t even recognize ourselves if we look back. I even say that at one point: “It feels like a different person was going through that.”

What’s it like when you look back on your own life, considering the fame you’ve achieved in the past few years?
It’s a strange new thing for me, certainly. I grew up doing this. I did it for almost 20 years before I got any sense of, I guess, fame. I’ve always been just an actor working, and that’s always been the focus. Then to suddenly be in this other realm, where people want an autograph or picture, it’s a really bizarre feeling to navigate. And the choices you make are really public.

Your scenes in particular show Mary Page’s disconnection to herself. She seems profoundly disappointed with her life. Does that take a toll?
All of us Mary Pages have talked about the lack of catharsis in the play. A lot of the scenes end before they resolve, before the breath out. We’re all kind of left in this tension.

At one point, the therapist asks your character: What would your life look like if you could make or remake all your choices in your life? Then there’s a 30-second pause. Tell me about that moment.

That question is terrifying, you know? If you did actually own every choice, if you were responsible, if it wasn’t just all happening to you, if you actually had volition in your life, what would you do differently?
What would it mean if you did do something differently? Who would you have lost? Who would no longer be in your life, if you chose something different? Even talking about it feels murky and scary to pin down. It’s such a great, awful question.
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I’ve added a couple new additions of Tatiana from the Canadian Screen Awards as well as a new photo session from the event. She looks adorable!

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I’ve added a bunch of new (old) photo sessions of Tatiana from this year as well as some more photo additions to her appearance at the SAG-AFTRA Hollywood Awards last week. Enjoy!

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Happy Birthday, Tatiana! Hope you have a wonderful birthday. I know that your presence on screen has changed my life and I thank you for that.

In lieu of Tatiana’s birthday I have added some very rare photos to the gallery along with a few more additions from the Emmy’s. Enjoy and please credit the site if you repost. It took me ages to track some of these down. Thanks!

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In September of 2016, Tatiana Maslany won an Emmy. To those unfamiliar with the actor or her show, Orphan Black, this might not have seemed like a particularly huge deal. But for everyone who’d spent the last several years watching Maslany deliver work stellar enough to label her, often, “the best actress on TV,” the Emmy felt like a symbol: finally, finally, she was getting the kind of love and recognition her fans had always known she deserved. Perhaps after this awards night, we thought, everyone would realize how good an actor she is, and be drawn to movies and TV shows simply because she is in them — except that’s not actually what Maslany really wants.

“That you can forget that this is even an actor… that is what I seek to do,” she says, sitting down in Bustle’s studio on a mid-September day. If Maslany sounds, well, actorly, don’t be surprised; although it’s no secret that she has a comedic side, as shown by her scene-stealing turn on Parks & Rec and her friendship with funny people like Amy Schumer, the 32-year-old typically has the kind of serious, introspective demeanor that goes hand-in-hand with the dark sci-fi show she’s best known for.

That attitude is certainly fitting for Maslany’s new movie, Stronger, a powerful, often-heartbreaking drama about Jeff Bauman, the Boston Marathon survivor who lost both his legs in the 2013 terrorist attacks. In the film, Maslany plays Erin Hurley, Jeff’s on-again, off-again girlfriend, and the actor talks about Erin with a kind of quiet awe. Maslany felt a “huge responsibility” to do Erin right, she says; as soon as she learned she got the part, she began running, hoping to connect with her character on a deeper level. Whether audiences watching Stronger will sense that commitment is out of her hands, of course, but talking to Maslany, one gets the sense that if she could tell every viewer about what she’s learned from Erin and why this story matters, she would. “I don’t think I’ll ever let go of this film,” she says, gravity in her voice.

The afternoon we talk, Maslany is dressed for a photoshoot — her hair is styled, her outfit is precise, and her Nike sneakers are in a bag waiting for her after she’s done with her impressively tall heels. I’ve interviewed her before, so I know what the actor’s personality (at least with reporters) is like, but that doesn’t mean her constant intensity doesn’t still throw me off, at least a bit. She seems comfortable around journalists — doing press for five seasons of Orphan Black likely trained her well — but that comedic side, those easy laughs? Until she tells me a funny story at the end of our interview involving a chance hotel encounter, confused Hollywood agents, and Schumer naming her dog after her, that can’t help but make both of us crack up, Maslany is all seriousness, all the time.

For her acting, at least, this is a good thing. In order to give the kind of performances so great, and so deep, that fans forget they’re even watching her on-screen, Maslany can’t mess around. What she wants, she tells me, is “where your work speaks for itself, and the awards stuff doesn’t matter — it’s more about, ‘holy sh*t, this person took me on a ride and I didn’t even realize they were doing that to me.'” But for her regular life, that intensity acts a bit as a wall, at least from reporter to subject. Every time I ask her a question, she takes a few moments to think things through, and then she provides an answer that, even if natural, sounds practiced and formal. You can see that she is determined to get things right, even if it means that she sometimes comes off as enigmatic as some of the clones on Orphan Black.

For some actors, that Emmy and years worth of glowing reviews would be enough to soothe their anxiety or get them to loosen up in front of press; not Maslany, though. It goes hand-in-hand with her feelings about the way audiences perceive her on-screen, or rather, the way they don’t. Maslany, she makes clear, doesn’t want you to go to movies or watch television shows to see her — if she had her way, you probably wouldn’t even notice she was in a piece of work until the credits rolled. During our conversation, she points to her co-star in the new movie Stronger, Jake Gyllenhaal, whose portrayal of Jeff is impressively convincing, as an example. “That commitment to one character, and so completely believing that that’s him… that’d be amazing,” Maslany says with relish.

For those of you who watched her superb work on Orphan Black, it might seem like she has already accomplished just that. After all, her performances as up to four or five different clones in a single episode were so transformative that forgetting that it was Maslany playing each character became a running joke among fans. So after five years of winning every piece of acclaim imaginable, why wouldn’t Maslany just, well, take a break?

Because, as just one afternoon with Maslany makes perfectly clear, “taking a break” is simply not in her DNA. Even while she was busy playing clone after clone on Orphan Black, she was starring in movies like Woman in Gold, where she spoke German as a young Helen Mirren, and The Other Half, which earned her rave reviews for her portrayal of a bipolar woman. Even now, in her post-Orphan life, she’s not standing still. Maslany has Stronger and a few other films in the works, as well as an indie movie she’s developing with her partner, Tom Cullen.

Clearly, lazy isn’t in Maslany’s vocabulary, even if her constant workload means she’s always making life harder for herself than it probably needs to be. “I’m selfishly drawn to these challenges,” she explains. “That’s kind of what I sign up for in a way… I’ve just never wanted to [take it easy].” Even with Orphan Black, Maslany says she had a hard time accepting the praise, because she was always convinced that she could’ve done something deeper, or sharper, or simply better.

“I don’t think that the noise of Orphan Black or any of that is in any way connected to what we do on a daily basis, which is always full of fear and always full of doubt and contradiction,” she tells me. “I don’t super buy into the noise, because I know myself and I go, ‘OK, yeah but that’s a trick, or that’s something I could’ve dug deeper into.’ It’s a constantly evolving thing — I never feel like, ‘oh yes, now I’m at some level that is different from where I was before.'”

Stronger, though, threw Maslany for a loop. The drama, out Sept. 22, is the biggest film the actor has done to date, and getting to star alongside veterans like Gyllenhaal and Miranda Richardson was “uncharted” territory for her. Maslany may have been up for the challenge — but even for her, the combination of playing a real person who often came to set and whose opinions she valued, and of starring in the film alongside highly respected actors, was overwhelming.

“Stepping onto set with Jake and David [Gordon Green, the director] and Miranda, I was a beginner again,” she says now. “And I’m going, ‘oh sh*t, OK, this is the level. I had major doubts going into that.”

Maslany admits that she knew little about Jeff and Erin’s story before signing onto the movie, and the details of their journey — their commitment to one another during Jeff’s recovery, their struggles with the media’s perception of their relationship and the unwanted fame Jeff’s injuries brought — stayed with her long after she finished filming. The same can be said for Orphan Black. Talking about the series, which came to an end this past August, Maslany can’t help but wax poetic. “Looking back on it now, the amount of roles I was able to play pales in comparison to the impact certain roles had on people,” she tells me. “In terms of Cosima’s resonance with the LGBTQ community, young women and men, people seeing themselves represented… that to me, I think, is the legacy.”

“The show sheds light on people who don’t necessarily always have a voice and gives them a voice that is complex and flawed and human,” she continues. “Especially young women [who are] kind of pitched against each other and made to compete for the small spaces that we’re able to take up.”

Although Orphan Black’s finale might’ve come as a shock to fans, Maslany has been processing the show’s end for years. A critical favorite but not exactly a ratings smash, Orphan Black spent five seasons as a series whose future its stars and creators could never take for granted. Yet for the actor, that constant unpredictability wasn’t an issue; in fact, unsurprisingly, it feeds her. “I’ve never known what was coming down the pipeline — I’ve never known what was next,” she says. “And I kind of love that. I like being surprised and seeing something and being like, ‘oh god, I want that so bad.’ And then fighting for it, somehow.”

Right now, Maslany’s future is actually pretty certain. There’s the producing gig, which she’s clearly excited about; although she’s been a producer in the past, on Orphan Black’s final seasons and The Other Half, this new film will give her more control than ever before. “It’s cool to get to have a bit of say in the development of something, to get to tell the story that we’re excited about,” she says with evident happiness.

And there are all those other films ahead of her, one she’s already signed on for and ones that’ll inevitably come her way soon enough. Maslany may not want anyone to think of her when they watch her movies, but it’ll be hard not to, with so many opportunities coming down the line. But if anyone’s willing to prove people wrong and take on that kind of challenge, it’s Maslany — after all, she’s managed time and time again to earn our love, even while disappearing right in front of our eyes.
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